It happened around the end of August 1998: a few independent spirits secretly gathered in one place, whose name is like a password in circulation: the dismayed instants. For two days and two nights, they instigate a conspiracy, invent group frenzy anew, repeatedly make their way into the state of desire. There we find all kinds of adventurers, born improvisers, changeable crooners, cabaret singers, second-class poets, strippers, somewhat bared waitresses, a few slightly exited friends. They launched into spicy show-off performances or romances stirring one to tears. What is revived there by rediscovering bordel songs and other songs of this type has something to do with the spirit of the cabaret. We are dealing here with a rebellious spirit, a provocateur, a trouble maker. Most modern, aesthetic or political revolutions are partially linked to the spirit of the cabaret, which is not without reason. This closed-off place, in spite of being easily accessible to anyone, allows all excesses, all violations, all shudders.
1. Au Bordel
2. Der Wind hat mir ein Lied erzählt [Brühne, Balz]
3. Ah Les Femmes! [Saka, Davis]
4. Pigalle en Mai [Lucio Mad, Pégorier-Farkas]
5. Tu Me Plais [Lelièvre, Moretti]
6. Siméon [Calais-Monnier, Pégorier-Farkas]
7. Elle Me Dit [Noël Akchoté]
8. Falling in Love Again [Hollander, Lerner]
9. Elle Faisait du Strip-Tease [Leseyeux, Normand, Willemetz]
10. L’Amour des Hommes [V. Scotto, G. Koger, G. Hugon]
11. Obsession d’Amour [Jamblan, Laurent]
12. A l'Alcazar [Noël Akchoté]
13. Assez! [Wal-Berg, Emil Stern, Jean Tranchant]
14. Mon Homme [M. Yvan, A. Lucien Willenmetz, J.Charles]
15. Fleur de Joie [Roger Adrienne Dumas, E. Recagno]
16. Le Mépris [Georges Delerue]
17. Valse de Melody [Gainsbourg],
Aux Toilettes, Valse du Printemps [Vony, Darlier, Niys],
Encore Eut Il Fallu Que Je Le
Susse [Paradinas, Minck-Farkas]
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